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Twenty-Past Three
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© 2009 The Author
All rights reserved. No part of this publication may be reproduced in any form or by any means—graphic, electronic or mechanical, including photocopying, recording, taping or information storage and retrieval systems—without the prior written permission of the author.
ISBN: 978-1-907179-20-4
A cip catalogue for this book is available from the National Library.
Published by Original Writing Ltd., Dublin, 2009.
Printed by Cahills of Dublin.
THIS IS WHERE I CAME FROM
It’s funny a conjugal union,
that to a wider audience,
bore the verisimilitude
of parenthood.
For this little one
that found herself
deposited in their care,
the order of the day was
to proceed cum grano salis.
Her, implacably ruthless,
Him, surreptitiously lustful,
Collectively they personified
the paradigm of coffering abuse.
I was deft at imaginatively escaping
this temporal existence,
to a being incorporeal,
skilled in the power of inviolability.
This aegis may be described
as an ephemeral one,
the return to the reality
of a crepuscular darkness
inevitable.
Literary adjuvants
offered further succour,
and are now the most
familiar of friends.
Determination and an angel
Betty purged the affects of this
misappropriation of innocence.
The past now but a cadaver,
redolent with decay.
Future is the chalice, the Topkapi
of this closing scene for
that is where I came from,
this is where I’m going to.
BLOOD ON MY MOUTH
Blood on my hands,
Now awoken from my torpor
Induced
By three decades of
subconscious vacation.
Swollen limbs,
the containers of shame,
astute in the collected art
of secrecy and silence.
This body atrophied to a kind of amphigam,
a city of the world’s desire decimated
to a mass of occluded orifices,
a pilfered cornucopia
nauseous with the pungent yearning
to become the sort of place
That means to detain you
IF THE WIND WILL TAKE YOU THERE
Austerity is the aesthetic,
It began with early-morning hallucinations,
blisters appeared ominously thick scars
bathing me in the blood of another.
The body wears its’ shame
heavily, remorselessly.
My abiding memory…
hemmed in by white-coated technicians
with startling efficiency,
foraging like eager hunting dogs
deep in to the path to the womb
to their expected course.
Tradition dictates that this
assault is accompanied.
The final push, dark and relentless
We didn’t shake hands officially.
Yes for those who pummelled
our soft bodies we remain strangers.
The rising sun is warming the tops of the trees.
We are not is Shakespeare’s Arden now
but through the branches it is just possible to see
the endless sky stretching out before you,
If the wind will take you there.
IN THINKING OF YOU
In thinking of You
As a genius liar
As an accomplished cook
As a violent thunderbolt
As a cold murderer
As a compulsive spender
As a part-time gardener
As an unmitigated pessimist
As a xenophobe
As a colourful dresser
As a schemer
Alone
GARDEN PARTY
My garden likens your garden.
Why does my garden liken your garden?
And my face is the same as your face,
but this is my space and in this place
I choose my life, terminate all strife
And mow the lawn.
THE DROWNING
A store cupboard memory
You towering above me,
mouth twisted, carrying the
rictus of power and hatred.
At five years old my only foibles
were an inquisitive mind and the
ungainly knack of catching you
in your moments of ramifying callousness.
I questioned as my head was repeatedly
thrusted below the level of the bathwater,
the air filched from my lungs,
that this unlikely prenicious act
may secure my release from your daily torment,
my heart racing, both cheering frenetically
at this possible departure and announcing,
my remarkable supplication to live.
Your incredible desire to expunge me
from this physical existence did not
render this tiny body impotent
but raised this amphibious vessel
to the acme of enigmatic impregnability.
And when a maker’s rage
deigned to this child’s
impalpable omnipotence,
a nebulous haze descended
on a mission renounced.
Know that………….
I want you to choke
on the utterance of my name,
I want your heart to atrophy
and decay at the memory of me,
I want you to acknowledge your
preponderance of indelible acts
of inhumanity towards me.
I want you to plead for forgiveness
I want you to crave forgiveness………….
I want you to set your soul free.
LOSS
Loss has made me…..
bitter
ANGRY
CONSUMED
distrustful
spectacularly lonely
prey
that loss could make me
original
F R E E
RECAST
OPEN DOOR
A room with a bed
Parent trap exuding
sweat and shame.
Childhood refuge
and innocent betrayal.
A single mosaic
masterminded in effortless joy,
an articulate bandage
on this seeping wound.
The door,
a flimsy metaphor
of apparent safety,
between childlike freedom
and adult voyerism
now deliberately removed.
Yet still the heavy presence
of the scent of danger chokes.
A new face to an old enemy
proves too difficult to exercise
open door notwithstanding.
PIE-CHART
A silent pause,
and the disapproval
was axiomatic.
Provenance of an insatiable desire
to shamelessly measure oneself
as a series of failures.
Fulsome directional criticism
arises out of a demanding inner
longing for unapologetic acceptance
that of oneself by ones
elf,
and oneself by another.
Rejection is the simoon that
swiftly purloins the seedling
of root and perch.
There exists no decorous substitute
for the self.
Somatic death of the soul
at the feet of temerarious remarks
Vamoose!
Arise as both fellow and variant
Even if affection is suspended.
Arguably self-approval is imperative
Save rarefied.
UNTIL WE MEET AGAIN
I remember you.
I remember the powerful
feeling of togetherness we
experienced.
I remember your wide smile,
I remember your tender hands,
I remember your deep gaze
that ignited a turbulence within me.
I remember our dramatic parting.
I remember the rite of passage of
our inborn, a dual recondite loss that
saturated my heart in darkness.
I remember our heavenly entente.
I remember in perpetuity.
I remember to remember.
I remember to unhand.
WHO AM I?
Who am I?
I give in
Don’t fit in
Maybe step my way…
It’s lonely.
GESTURES
Gestures,
Can’t say I love you
Can say I see you
Can’t say I need you
Can say I acknowledge you
Can’t say I like you
Can say I stand aside
Can’t say I trust you
Can say I will engage
………………………………………..in time
PERMANENCE
It seems immutable
this struggle for life,
It also seems inevitable.
My capacity to be overwhelmed
often by this burden for existence
has inevitably created the standard
menu whose regular features are
disappointment and frustration.
There are precedents,
They are called memories,
Does memorable mean forgettable.
THE GREEN ROOM
Why must you linger
like the stench of rotting flesh,
your screams now for recognition
too loud now to ignore.
Why must you pattern my
body with your mark that
diet or determination
cannot seem to revoke.
Why must I be reminded of my
passage to this day
When can I shut my eyes
and yield?
When can I open my door.
WHAT FOLLOWS ON
My last one….
I thought I was prepared.
Hours of self-analysis had
liberated me from the
drawer of self-deception.
I incorporated successive
corrections to this narrative.
Whilst not having a working title
for this nascent maturation,
I chose to take action and again
participate in a partnership for which
I was noticeably disinterested.
I have never known those of you
beyond my closest friend,
that I can confidently assert
gained my admiration.
This time, and the last time,
I was all but aware, if anything,
this union was scant consolation
for an accomplished self-reinvention.
I participated because
I couldn’t not participate.
However much my intuition
yelled caution,
it has generally been
summoned to submission
by the all too wearisome
demands of another.
I view this history with misgiving.
Certainly the influence
she could exert with her
lessons in self-sacrifice
in favour of the controlling male
set the standard by which
I subconsciously measured
a prospective union.
I concede these suitors fell
lamentably short
of the calibre of the person
I had imprisoned
and have since released.
I think what I did not
know how to do was be
Now I cannot imagine otherwise
FAIR WELL
Trees, variegated bark exposed.
A chestnut anointed my head
today as I strode in search of
the quotidian broadsheet.
Emirates airline has placed
an order for seventy A350 airplanes.
I’m ready.
MAKING SPACE
A spider’s feast
separation.
New, wrinkled as a baby
visiting Visconti, Sylvia screams
“Who’d walk in this bleak place?”
WHITE FLAG
If I had read the script
could I have rejected the part.
If I saw your face could I have
chosen another.
If my spirit was weaker could
my consumption of loss
been less barbaric.
MANY TEARS………
….yet
I live
And from there
I learned
And now I speak
Thus.
PASS
Not enough
and………………too late
An abrupt alert, sinister
in it’s delivery, a “sneak attack”
RIGHT NOW
I refuse to respond to your calling
OUTRAGE
Reprimand myself for any perceived weakness
RETROGRADE
I thought you could no longer reach me on this orlop
CHOKED
Have I really understood the inconsequential passing of time.
PARALISED
For the moment, perhaps.
FORGIVE ME
Forgive me,
The rancour I endure silently
towards you continues unabated.
Though the occasional moments of
tolerance you express for those
around you softens as a welcome
mat at the doorway, they are but
false signs of hope, enigmatic almost,
and you are foreign once more.
Any thoughts of a reconciliation revolt,
confirmed by those boorish comments
surrounding that wedding, unattended.
incessant aggrandizement of bodily
weakness save imaginary illness, the
fastidiousness directed at elements
of conversation where silence is appropriate.
How spectacularly skillfully you eschew
all opportunities for redemption,
prerogatives one deems portentuous, lost.
Explicitly atone for all your crimes……….odious
The death knell.
IN THINKING OF YOU (II)
In thinking of You
As a victim.
CHOCOLATE ON SUNDAYS
Among you we are crushed
as a peppercorn under a pestle
as an ortolan by mouths in black hoods,
pressed hard in a vacuum pack
as cheap spongy bacon.
SPIDER’S FEAST
Breath that burns
Dead awake.
SOUND BITE
Historical restrospective
In the warning scent of treaty
Links ally in support, opposing
details lost in pictorial fiction,
a different reading.
Insatiable dreamer,
An important day.
HOME COMING
Tonight,
I wish to dance over the moon,
I wish to awaken Neferttiti
from her slumber and together
sip the nectar of rose petal syrup.
I wish to gather with the lepidopterological
Monarchs on the hills of Michocán and drown
in the scent of the first hanami in late spring.
This is my home coming, legato.
I could not have moved on
from where I had never been.
In silence lays understanding.
Sarah Gibbons, Twenty-Past Three
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